Tag Archives: SK da King

“Drumwork: The Album” Displays the Distinctive Talents of the Drumwork Music Group Roster (Album Review)

Drumwork Music Group is an independent hip hop record label based in Buffalo, New York founded by Conway the Machine in 2020 distributed by EMPIRE with Jae Skeese & 7xvethegenius as their first signings. La Maquina has since expanded the roster by bringing Goosebytheway, Lucky Seven, SK da King & Shots Almigh all on board. So considering the squad is gradually growing, it only makes sense to conceive their very 1st showcase compilation.

“Hov Numbers” by Conway the Machine, Goosebytheway, Lucky Seven, SK da King & 7xvethegenius is a 6 minute opener to the compilation with an airy trap instrumental declaring they’re still in their bag whereas “Lonely” by Jae Skeese, Lucky & SK dives right into boom bap turf sonically as the trio talk about getting it. “Lalo” by Conway featuring Benny the Butcher & 38 Spesh works in some woodwinds, kicks & snares as the trio discuss drug money leading into “City Grill” by Goose, Jae & 7xve has a slicker quality to the beat talking about how things get surprising because it’s mesmerizing.

“Rory Joint” by Jae Skeese & 7xvethegenius finds the label’s first 2 signings returning to the boom bap promising to leave y’all painted on some art shit just before Shots Almigh joins Jae & Goosebytheway for “Blue Glass” layering these kicks & snares on top of a vocal loop talking about having to get the bands to survive. “Take It Back” by Goose, Lucky Seven, SK da King & 7xve has these crooning vocals in the background that I like with the 4 talking about throwing it back to the old days prior to “Elephant Man” by Conway the Machine, Goose, Heem, Rome Streetz & SK brings the quintet together over a cinematic boom bap beat admitting their minds are made up.

Goosebytheway, Jae Skeese, Lucky Seven & SK da King the final leg of the comp by linking up for “This is War” returns to a more soulful quality to the instrumental making it clear that none of them can be another casualty while the song “Crown for Queens” is an empowering 7xvethegenius solo cut about no one being able to stop her. The song “Andre 3000” by Conway the Machine & D Smoke goes into jazzier boom bap territory thanks to Bangladesh telling y’all to look how far they’ve been brought while the penultimate track “Sudan” by Con, Goose, Lo Profile & Shots Almigh intimidatingly talks about not playing around where they’re from. “Far Away” by Con & Elcamino is a minimally produced closer with Beat Butcha behind the boards discussing the game they play.

I’m sure we’re gonna get more showcase comps from the Drumwork camp in the near future, but their first over here definitely makes it seem like that it’s only the beginning of their dominance. The production’s tight, the features from their affiliates/outside collaborators are all well picked out & each artist on the label’s current roster all have their own distinctive characteristics that they each display with the hunger that continues to grow from within everyone.

Score: 8/10

Source: UndergroundHipHopBlog.com

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Drumwork Music Group Announces Debut Compilation “Drumwork: The Album”, Premieres Lead Single “Elephant Man” Ft. Heem & Rome Streetz

Conway the Machine, Goosebytheway, Heem of the Black Soprano Family, fellow Griselda signee Rome Streetz & SK da King all join forces to release “Elephant Man” as the lead single off of Drumwork Music Group’s upcoming debut compilation Drumwork: The Album.

Source: UndergroundHipHopBlog.com

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Drumwork Signee SK da King Justifies That He’s “Made 4 This” on Full-Length Debut (Album Review)

This is the full-length debut from Baltimore emcee SK da King. Emerging as a member of the Checkered Flag Boyz under the original moniker Paul Skola, it wasn’t until a couple years ago where he signed to Conway the Machine’s very own EMPIRE Distribution imprint Drumwork Music Group as a solo act as announced by his debut single “Actions” & would go on to introduce himself to the Drumwork fanbase that fall in the form of the debut EP Horus. But coming fresh off last September’s prelude tape Before the Album, da King is returning to make it clear to everyone that he was simply Made 4 This rap shit.

“Rick Flare Flow” is a dirty boom bap opener referring himself to be a heavyweight & comparing his flow to that of amongst the greatest wrestlers to ever step in the ring Ric Flair whereas the title track gives off a more somber trap vibe talking about being destined to take over the music game. “Where I’m From” featuring Izm400 works in a hazy loop & some hi-hats so the pair can discuss their respective backgrounds, but then “Show Me” has a more triumphant tone to it wanting to know exactly how he’s like these other motherfuckers.

Meanwhile, we have Ejwarwick coming into the picture for “This Side” experimenting with Latin trap talking about the specific side they don’t fuck around with just before he sticks around on “Earn Ya Stripes” following the “P.O.M.E.” skit so both of them can return to the boom bap calling out those who ain’t ever do shit in their lives. “Solid” featuring Heavygold has a somewhat dramatic feel to it talking about being on top leading into Izm400 returning with Mandriq for “The Kitchen” to ruggedly spit that dope shit.

“When It’s Over” experiments with a more Carribean sound trying to get some Ms as well as leaving a legacy when it’s all said it & done while “Nervous” featuring Tony Bosco goes back into trap territory to address the elephant in the room that nobody shining like they are. The song “Came from Nothin’” blends some hi-hats & chipmunk soul talking about not having shit while the penultimate track “Been Thru” weaves in some keys unbottling his mental stresses. “God Willin’” on the other hand closes the album with a churchy beat talking about coming from hard living.

Now I didn’t get the chance to cover Before the Album last fall but considering how much I enjoyed Horus, I was eager to hear how much SK’s grown both artistically & personally Made 4 This. So if you’re enjoying the Drumwork takeover that’s been going on for the past few months, he’s definitely playing his part in applying pressure. The production choices are gradually improving & da King takes his hunger to a whole nother level.

Score: 7/10

Source: UndergroundHipHopBlog.com

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SK da King Demands Respect On New Song “Show Me”

Baltimore emcee & Conway the Machine protege SK da King taps in with producer 2wo Offishall for his latest single “Show Me”, which tells listeners to give him his flowers.

Source: UndergroundHipHopBlog.com

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