Tag Archives: featured

Kodak Black Confirms Drug Use: ‘I’m Too Young to Die Sober’

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Kodak Black's "Super Gremlin" Tops RapCaviar's Most Streamed Song List for First Half of 2022

Over the last few weeks, Kodak Black has demonstrated concerning behavior in regard to his sobriety. Hitting Instagram Live, Black revealed he is “never sober.”

“For what? For what? Look at this money. Look at all this cash,” Kodak said. “Sober for what? I’m too young to die sober.”

Kodak Black raised concerns following his appearance on Kai Cenat’s livestream early this week.

Kodak joined the famed streamer’s 30-day “Mafiathon” livestream, and his behavior immediately caught the attention of all who witnessed his behavior, which many observers described as “tweaking”, a description given to those who are visibly intoxicated or high.

The “Super Gremlin” rapper was sweating profusely and rambling while talking for a large portion of his appearance. At one point, Black even successfully lands a seal shot, where he threw a pill (presumably a Percocet) in the air and caught it in his mouth, which stunned Cenat, who questioned Kodak about what he’s just popped in his mouth. Kodak replied, “It was a glitch for the Twitch.”

Earlier this year, Kodak admitted on IG Live that he had a serious problem with Percocets, saying, “I remember a point in my life when I was chewing a lot of Percs. I’m proud of myself. I’ve never been this happy in my life. I don’t know where this came from, what the fuck going on.”

He added, “Before I just went to jail — I can talk about this because it’s my testimony, ain’t no shame in my shit — I was taking at least 100 Percs. My average was 40 Percocets… to the point where I look at this shit and be like, ‘What the fuck was wrong with me, bruh?’”

With an acute relapse visibly on the horizon, it’s safe to say that Kodak needs to get help before he faces the same fate of so many addicts, both unknown and famous, have faced since the beginning of the opioid crisis in this country almost a decade ago.

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Five Artists Whose Careers Were Sparked By The Late DJ Screw

dj screw 1

dj screw 1

As we celebrate the unparalleled career of the legendary Robert “DJ Screw” Davis Jr. during the week of his passing almost a quarter century ago, we decided to explore some of Houston’s most revered artists and how their career was founded and expanded due to their connection to DJ Screw. As the known originator of the famous “chopped and screwed” sound and the leader of H-Town’s Screwed Up Click, Screw released more than 350 mixtapes before his untimely passing in 2000. With chopped and screwed as his signature sound, he made tapes which he sold out his Screwed Up Records and Tapes store in Houston, solidifying himself as a businessman and a music innovator.

Here are just some of H-Town’s most respected artists that admittedly wouldn’t be where they are today if it weren’t for the foundation laid by the late DJ Screw.

Trae Tha Truth

Houston-born emcee and activist Trae Tha Truth, along with longtime collaborator Z-Ro in their group ABN, made their ascension in the game as members of the legendary Screwed Up Click, with the 44-year-old dropping 11 solo albums, over 25 mixtapes and now serves as VP of T.I.’s Grand Hustle Records. Trae is also well known for his philanthropy as the founder of both Angel by Nature, a charity aimed at helping the impoverished youth of Texas.

Lil Flip

Named Houston’s “freestyle king” by Screw himself, Lil Flip got his break in the game when Screw heard his debut album The Leprechaun on H-Town based label Sucka Free Records and put him down with the Screwed Up Click. Four years later, Flip signed a deal with Sony Urban Music and dropped his third album and first double-disc CD U Gotta Feel Me, which contained the popular single “Game Over(Flip”, earning him his first platinm plaque of his career.

Paul Wall

Even though Pau lWall repped North Houston and was under Michael “5000” Watts’ Swishahouse Records, his most popular singles, 2005’s “Sittin Sidewayz”, which samples a line from Big Pokey’s verse on DJ Screw’s “June 27th” and Mike Jones’ “Still Tippin” remix featuring Screwed Up Click’s Lil Keke and Big Pokey, set the tone for the duration of Wall’s career. Today, Wall is also an accomplished and proficient mixtape and party DJ, known for producing mixtapes in the famous chopped and screwed style, which was invented by DJ Screw.

Big Moe

Originating from Houston, Texas, and as one of the founding members of the “Original Screwed Up Click,” Big Moe started out in music by freestyling on DJ Screw mixtapes like many of his Houston peers. Big Moe’s debut album, City of Syrup, dropped in 2000). The title was a nod to Houston’s reputation for drinking codeine-laced syrup called “lean” or “sizzurp”, which Moe pours from a Styrofoam cup on the album’s cover. 

DJ Mike “5000” Watts

In the mid-1990s, chopped and screwed music started to move to the north side of Houston by way of Swishahouse Records founder DJ Michael “5000” Watts.  A rivalry between North and South Houston over the true originators of chopped and screwed began to arise, but Michael “5000” Watts always gave credit to DJ Screw as the originator of chopped and screwed music, although Watts has been a proponent of the slogan “screwed and chopped” instead of “chopped and screwed”.

Following the death of DJ Screw, his musical influence spread all over the southern United States. Later in 2000, the Memphis-based group Three 6 Mafia came out with their song “Sippin’ on Some Syrup”. The song debuted as a minor hit but later became one of Three 6 Mafia’s most popular songs.

The 2007 documentary film Screwed in Houston details the history of the Houston rap scene and the influence of the chopped and screwed subculture on Houston hip hop. In 2011, University of Houston Libraries acquired over 1,000 albums owned by DJ Screw. Some of the albums were part of an exhibit in early 2012 and, along with the rest, went available for research in 2013. Today, the chopped and screwed music genre has been added to all forms of streaming services including iTunes, Spotify and has crossed over to receive mass mainstream appeal.

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Happy Heavenly Birthday To A Tribe Called Quest’s Phife Dawg (RIP)! 5 Memorable Phife Verses

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phife

On this day in 1970, the second lyrical half of A Tribe Called Quest, Phife Dawg was born. Born Malik Isaac Taylor in Queens, New York, Phife was one-fourth of one of the most influential groups in Hip-Hop culture; A Tribe Called Quest. It’s been almost nine years since Phife lost his battle with diabetes, however, his music will live on for eternity.

On many of ATCQ’s tracks, fans have always rightfully celebrated Q-Tip’s lyricism, but rarely gave Phife Dawg his proper due. In the posthumous honor of his birthday, we have put together a list of five of his hottest verses to shine a light on the unsung lyrical phenom that is Phife Dawg.

5. “Electric Relaxation” On this standout track from the album Midnight Marauders, Phife and The Abstract went toe to toe, trading off verse without a hook until the song ended, with standout bars like, “Let me hit it from the back, girl I won’t catch a hernia/Bust off on your couch, now you got Seaman’s Furniture..”and let’s not forget, “I like ‘em brown, yellow, Puerto Rican or Haitian/Name is Phife Dawg from the Zulu Nation..”

4. “La Schmoove” This was a featured verse from Phife Dawg on a track by Brooklyn rap tongue twisters Fu Schnickens. On this track, Phife had the third verse, yet opened it like it was his own song saying,

Now here I go, once again with the ill flow/Other MC’s that rap, their style is so-so..”

3. “Scenario” Being one of the most popular songs on A Tribe Called Quest’s Low End Theory album, Phife Dawg’s opening verse is one that rings in the ears of many rap fans.

“Ayo, Bo knows this, and Bo knows that/ But bo don’t know jack cause Bo can’t rap//Well what do you know, the Di-Dawg, is first up to bat/No batteries included and no strings attached..”

2. “Award Tour” Another cut from Midnight Marauders, Award Tour was a huge success for A Tribe Called Quest. It also houses some of Phife Dawg’s strongest metaphors.
“I have a quest to have a mic in my hand/without that, it’s like Kryptonite and Superman/So Shaheed come in with the sugar cuts//Phife Dawg’s my name, but on stage, call me Dynomut..”

“So, next time that you think you want something here/Make something dope or take that garbage to St.Elsewhere..”

1. “Buggin Out” Coming from their most popular album, this is regarded as Phife’s illest bars. Phife Dawg spits two of the hardest verses on the album on this one record.
“Yo microphone check one, two, what is this?/The five foot assassin with the roughneck business/I float like gravity, never had a cavity/Got more rhymes than the Winans got family..”

“You soar off to another world, deep in your mind/But people seem to take that, as being unkind/’Oh yo he’s acting stank,’ really on the regal?/a man of the fame not a man of the people/believe that if you want but I tell you this much/riding on the train with no dough, sucks..”

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Today in Hip-Hop History: Mobb Deep Released Their ‘Hell On Earth’ LP 28 Years Ago

Mobb Deep Hell On Earth

Mobb Deep Hell On Earth

On this date in 1996, the “infamous” crew from Mobb Deep dropped album number three entitled Hell On Earth. The Mobb-produced project was released under the epic Loud/RCA imprint introduced many of the extended QB/Mobb family including raspy-voiced Twin Gambino, Big Noyd, and a few others. Hav and P enlisted some of the game’s top dogs of the time for this album including their QB brethren Nas, Wu’s Raekwon the Chef, and Method Man.

This certified gold classic was unquestionably a part of the East Coast arsenal against the West Coast during the height of the rivalry, with tracks such as the title track, “Still Shinin’”, and of course, “Drop A Gem On ‘Em”, sending overt threats at Tupac Shakur and his cohorts. Other standout joints include “G.O.D. Pt.III”, where Prodigy drops some street knowledge, “Blood Sport”, and “Give It Up Fast” featuring Noyd and Nas.
This album was also the project that confirmed Havoc’s skills as a producer, which led to several other projects outside of the Mobb.

Salute to P, Hav, Noyd, Gotti, Twin, Ty Nitty, Nas, Rae, Meth, Steve Rifkind, and everyone else involved with this classic album!

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Cordae Announces ‘The Crossroads’ Tour 2025

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Screenshot 2024 11 19 at 10.18.34 PM

Multi-platinum, 3x GRAMMY® Award-nominated, and Emmy® Award-winning rapper Cordae will embark on The Crossroads Tour in 2025. The 23-city trek kicks off on Wednesday, February 5 at Ace of Spades in Sacramento, CA, making stops in Los Angeles, Houston, Atlanta, Toronto, New York, and more before wrapping up in Chicago, IL at Concord Music Hall on Sunday, March 16.

The Crossroads Tour celebrates Cordae’s critically acclaimed new album, The Crossroads, available now via Atlantic Records HERE. Executive produced by Smoko Ono, The Crossroads features the singles Mad As Fuck,” Syrup Sandwiches (feat. Joey Bada$$$)”, ”Saturday Mornings” (feat. Lil Wayne), and Summer Drop” (feat. Anderson . Paak).” The 16-track album contains even more stellar collaborations from Juicy J, Ty Dolla $ign, Jordan Ward, Ravyn Lenae, and Kanye West.

THE CROSSROADS TOUR – NORTH AMERICA 2025 DATES:

Wed Feb 05 – Sacramento, CA – Ace of Spades

Fri Feb 07 – Seattle, WA – Showbox SoDo

Sun Feb 09 – Portland, OR – Crystal Ballroom

Mon Feb 10 – Vancouver, BC – Commodore Ballroom

Wed Feb 12 – San Francisco, CA – The Regency Ballroom

Tues Feb 18 – Los Angeles, CA – The Novo

Wed Feb 19 – Phoenix, AZ – The Van Buren

Fri Feb 21 – Salt Lake City, UT – The Complex

Sat Feb 22 – Denver, CO – Cervantes’

Sun Feb 23 – Albuquerque, NM – Sunshine Theater

Tues Feb 25 – Houston, TX – Warehouse Live Midtown

Wed Feb 26 – Austin, TX – Emo’s

Fri Feb 28 – Atlanta, GA – Buckhead Theatre

Sat Mar 01 – Charlotte, NC – The Underground

Sun Mar 02 – Silver Spring, MD – The Fillmore Silver Spring         

Tues Mar 04 – Philadelphia, PA – Theatre of Living Arts

Thu Mar 06 – Boston, MA – House of Blues Boston

Sat Mar 08 – Montreal, QC – Théâtre Beanfield

Sun Mar 09 – Toronto, ON – The Opera House

Tue Mar 11 – Cleveland, OH – House of Blues Cleveland

Wed Mar 12 – New York, NY – Webster Hall

Sat Mar 15 – Detroit, MI – Majestic Theatre

Sun Mar 16 – Chicago, IL – Concord Music Hall

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ScHoolboy Q Announces 2025 International Tour Dates

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ScHoolboy Q has announced a brand new run of live tour dates which includes stops both in the U.S as well as Germany, France, Netherlands and United Kingdom. Playing songs from his critically acclaimed catalog, including this year’s Blue Lips, ScHoolboy Q will kick off the tour in Oakland CA next year — undoubtedly bringing the energy from the Summer run to new crowds globally.

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Tickets will be available for artist pre-sale this Thursday, November 21 at 9am local time via https://laylo.com/groovyq/m/bluelipslive while public on-sale will begin Friday, November 22. Full tour routing and to purchase, head to: https://www.groovyq.com/tour/

BLUE LIPS LIVE TOUR ROUTING:

Jan 23            Oakland, CA @ Fox Theater

Jan 24            Los Angeles, CA @ The Novo

Jan 25            Las Vegas, NV @ Brooklyn Bowl

Jan 26            Anaheim, CA @ House of Blues

Feb 14           Berlin, Germany @ Huxleys

Feb 15           Paris, France @ Elysee Montmarte

Feb 17           Cologne, Germany @ Carlswerk Victoria

Feb 19           Tilburg, Netherlands @ 013 Poppodium

Feb 20           London, UK @ Roundhouse

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Andre 3000 Says His ‘New Blue Sun’ Album Doesn’t Count Towards His Contract With Epic Records

Andre 3000 Reveals He Auditioned for 'Fast & Furious' Film

Andre 3000 Reveals He Auditioned for 'Fast & Furious' Film

André 3000 recently revealed a surprising detail about his long-awaited debut solo album, New Blue Sun. Despite its critical acclaim and a nomination for Album of the Year at the 2025 Grammys, the project doesn’t count toward fulfilling his contract with Epic Records. In an interview with journalist Touré, the OutKast icon shared his initial confusion and eventual understanding of this contractual stipulation.

“They congratulated me on the process, they congratulated me on what the work was, but contractually, it’s very interesting. My label will not count this album against my contract — this is as a solo artist,” André said, referencing his unconventional flute-based project.

After consulting his lawyer, André learned that the stipulation dates back to the 1970s when some artists tried to fulfill their record deals by submitting low-effort or unconventional material. Labels countered this by requiring new works to align with the artist’s previous output.

“I didn’t understand it at first and we tried to find ways around it,” he admitted. “But my attorney explained it in this way: it was invented in the ’70s maybe, when artists were trying to get out of their deals so they were just pretty much turning in anything. It says, ‘The next recording has to be 90 percent like the recording before it.’”

He added, “It stops you from turning in 10 tracks of handclaps and saying, ‘This is my album.’ And I get it! But Sylvia [Rhone] and the team have been so supportive. They know I’m not turning in a handclap album — they get it. But as a business, this is the stance they took.”

Despite the setback, André isn’t rushing to leave Epic Records. He remains focused on creating music and has confirmed that he’s already working on another album. While keeping details under wraps, he shared that the new project is well underway.

“Oh, for sure,” he said when asked about a follow-up to New Blue Sun. “At this point, I’m just trying to keep the momentum. There’s such a thing as creative momentum. The next stuff is very interesting, too. We’re almost a third — or halfway — into it.” However, he noted there’s no set release date. “I don’t know when it will be ready. Who knows.”

For now, fans can continue celebrating André 3000’s latest artistic evolution while eagerly awaiting the next chapter in his legendary career.

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Today In Hip Hop History: Foxy Brown Dropped Her Debut Album ‘Ill Na Na’ 28 Years Ago

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tumblr 05733ba8fa5a389356619978f963224f 90c34b04 2048

Today In Hip Hop History, Foxy Brown released Ill Na Na 28 years ago and changed the way women sounded in hiphop. Introduced to the world by a Brooklyn rapperJay-Z on the classic Ain’t No Nigga, Def Jam pulled out all the stops for the queen of the label, who released her album one week after her former friend Lil Kim.

“Get Me Home” was released on September 15, 1996. It peaked at number 42 on the Billboard Hot 100. The second single, “I’ll Be,” released on March 4, 1997, also noted a commercial success. It peaked at number seven on the Billboard Hot 100, becoming Brown’s highest charting single.

The album featured guest appearances by Blackstreet, Havoc, Method Man, Kid Capri, and Jay-Z, with the majority of the production by the Trackmasters. Ill Na Na produced two hit singles: “Get Me Home” featuring Blackstreet and “I’ll Be” featuring Jay-ZIt was re-released in 1997.

Salute to the Brooklyn Bombshell who influenced so many girls in hip hop. Never forget.

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Final Posthumous Juice WRLD Album ‘The Party Never Ends’ Coming Before The End Of 2024

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unnamed 33

The wait for Juice WRLD’s final album is almost over. The previously rumored The Party Never Ends album is coming soon via Grade A Productions and Interscope Records. The news broke last night at ComplexCon Las Vegas 2024 during an exclusive listening party which included official Juice WRLD DJ Mike P, and follows the massive release of its lead single “All Girls Are the Same 2 (Insecure)” featuring Nicki Minaj.

The invite-only The Party Never Ends – A Listening Experience hosted by Grade A ProductionsInterscope Records, and Fortnite drew an impressive array of talent, music executives, and influencers.

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Today in Hip-Hop History: LL Cool J Dropped His Debut Album ‘Radio’ 38 Years Ago

TodayinHip HopHistory:LLCoolJDroppedHisDebutAlbum'Radio'YearsAgo

TodayinHip HopHistory:LLCoolJDroppedHisDebutAlbum'Radio'YearsAgo

On this date in 1985, James Todd Smith better known as LL Cool J dropped his first full-length LP on Def Jam Records. Primarily produced by Rick Rubin besides “I Need A Beat”, which was produced by DJ Jazzy Jay, Radio was a pivotal LP for not only LL and Def Jam, but for an evolving Hip Hop landscape that had just seen the rapid decline of b-boying and jams in the park. This was also the era in which the crack epidemic hit the streets and all of the major players used LL Cool J as the prototype image of how a hustler is supposed to look.

Songs like “I Can’t Live Without My Radio” and “Rock The Bells” dominated airwaves as well as influenced other artists of that time period with his braggadocios content and virtually forceful delivery. The song that actually got Cool J the deal with Def Jam, “I Need A Beat”, was written and recorded when LL was only 15 years old, making him not only Def Jam’s first solo artist but also their youngest.

Salute to Cool J, Rick Rubin, Russell Simmons, Jazzy Jay, and everyone at Def Jam from that era that helped put together this timeless classic!

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